Friday, 12 March 2010


Of the myriad ways in which Lady Gaga is great, we can now add to that list how she can take one of the main reasons why Madonna probably thought she was relevant for the past 15 years of her career and then make it completely her own, practically erasing any memory of 'our madge' post-Sean Penn.

The 'it' here I am refering to is former Bathory man Jonas Akerlund, who directed and co-wrote the above treatment for Gaga and Beyonce's 'Telephone'. Shame he didnt just do a shot for shot remake of his earlier efforts with Candlemass though:

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