Wednesday, 15 September 2010

DJ Internet History





It was a desire to listen to some of the work of pioneering Disco remixer Tom Moulton (above) at around 1amish that sparked off one of those brilliant internet voyages that occasionally break up my constant bouts of flicking between Facebook and Gmail.

I went onto the unofficial (?) myspace fan page and listened to his mix of King Goes Forth's Don't Take My Shadow which unsurprisingly turned out to be incredible and had everything that I've come to like about his edits: catchy hook, loads of dreamy soul style back up vocals, classic emo disco vibes etc. Browsing around the page I noticed a link to an interview Moulton did with Dj History in 2008. It's a wholly worthwhile read (link) in which he discusses his career path starting as a buyer for a Jukebox company then onto an early champion of stereo and how he became involved in disco, making the first remixes, the emergence of disco/DJs and the usual banter about how New York gay clubs in the 70's were the pretty much best places in the world ever.

It led me onto a couple of things, Moulton spoke about how B.T. Express were livid when they first heard what he had done to their track "Do It Till You're Satisfied', unsurprisingly it blew up and became a hit. They even got to go on Soul Train and brag about how the song length (in itself revolutionary) was their idea. Now even though the internet is an amazing resource and I can access footage of them playing that song on Soul Train within seconds, we're still not quite at the level of Revenge of the Sith style meta-Jedi library just yet, as I couldn't find the footage of that exact exchange with Don Cornelius. But well done anyway.

I went off and listened to the what is claimed to be the first 12" ever commercially available, made by Walter Gibbons, after he was described by Moulton as a person who was 'as white as can be' - judge for yourself



That photo being infinitely more enjoyable than the release in question - which is disappointingly, pretty tedious

DJHistory also do some other really great interviews with other DJing pioneers, including a fantastic sit down with Jimmy Savile, who you know turns out to be quite important (at least according to him) in the whole business of clubs, disk jockeys and young people congregating and dancing in the UK. One of his claims is that he was the first person to think of having two record players on stage at the same time. Considering he grew up in a world where the very idea of dancing to a record was completely laughable, the fact that he was hugely influentially in changing that (for instance he actually did setup dancehalls and DJ's in other cities, eventually running over 50 and 400, respectively, of them) he can make up what he likes really.


-Special thanks to John Bloomfield for introducing me to Moulton months ago when he played me his mix of So Much For Love by Moment of Truth which completely dicks on the original and was the only thing I wanted to hear for a good few weeks afterwards. I think on that same night I stole a clock from a particular East London pub. The clock is now in broken pieces stuffed in a bag in John's house - 'THANKS' Karma.



Also funnily enough earlier tonight I had a similar urge to listen to some Nas, ended up rippin through the hits on youtube, reading the quite decent article about him on Allmusic and shamefully hearing the acidic Jay-Z diss Ether for the first time.



I did the pretentious thing afterwards and in an attempt to be interesting posted his full name 'Nasir bin Olu Dara Jones' on Twitter, but then thought nargh, deleted it and instead decided to put all the words together and make it a hash tag, clever. I clicked the post afterwards and found out that coincidentally some super fans had used the same tag yesterday, as it it was Nasty Nas' birthday, he was 37.

And another thing, whilst it's probably weird and pretty cool actually that Lil' Wayne sampled Iron Maiden's Fear of the Dark for his song 'Best Rapper Alive'. It's definitely a lot weirder and probably not all that cool that Brandy sampled a relatively obscure Maiden track (The Clansmen) for her song 'I Tried' in which she sings lyrics like 'I’m sittin' home on a cold day...Think I wanna hear some Coldplay'



Brandy's Twitter 4EVERBRANDY

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